Palle Dahlstedt and Ami Skånberg Dahlstedt at Göteborg International Organ Academy

CREATIVE COLLISIONS III
Encounter with New Music in Different Genres

Ami writes:
I have a thing with paper/papers. Paperplanes and post it-notes.
Autumn concert. The theme for me was exhaustion – my own, everyone’s, time’s – in dialogue with midrange sounds and algorithms from two organs. Paperplanes as messengers, messages, play.
Post-It works as a creative, pragmatic sculpture for everyday choreography, while changing the dominant design / placement of benches and tables, or the placement of technology and body or the placement od music and dance or performer and audience in a room.

Höstens konsert. Temat för mig blev utmattning – min egen, allas, tidens – i dialog med medeltonsklanger och algoritmer från två orglar. Paperplanes som budbärare, meddelanden, lek.
Post-It fungerar som en kreativ, pragmatisk skulptur för vardagskoreografi och för att ändra dominant design/placering av bänkar och bord, eller teknik och kropp eller musik och dans eller performer och publik i ett rum.

AMI SKÅNBERG DAHLSTEDT (b. 1967)
PALLE DAHLSTEDT (b. 1971)
HANS-OLA ERICSSON (b. 1958)

An artistic encounter between dancer, researcher and choreographer
Ami Skånberg Dahlstedt, composer, researcher and improviser
Palle Dahlstedt, and organist and composer Hans-Ola Ericsson. With the church’s famous meantone organ and the church space as departure points, they together created a series of works and improvisations. These included electronically modified organs as well as motion sensors for gestural and embodied playing on novel organ timbres.

The Creative Collisions part of the festival is funded by Musikverket

Konserten gavs i slutet av oktober 2021